I’m back with my monthly roundup of blog posts and or articles for black Christian women! So below is my Top 10 monthly roundup of blog posts and or magazine/newspaper articles for black Christian women for February ( but you don’t have be a black Christian woman to to check them out 🙂 As usual, let me know if you like my list! Enjoy and share!
1. “See the Newly Unveiled Official Portraits of Barack and Michelle Obama” by Mary Rhodan
Excerpt: The National Portrait Gallery unveiled the long-awaited portraits of former President Barack Obama and First Lady Michelle Obama on Monday. The Obamas’ portraits were painted by New York based artist Kehinde Wiley and Baltimore-based artist Amy Sherald. They are the first African Americans commissioned to paint official portraits of the first couple for the National Portrait Gallery. The two artists’ works will be on display at the National Portrait Gallery starting on February 13. Aside from the White House, the Gallery is home to the only complete collection of presidential portraits; according to the Smithsonian, it is comprised of more than 1,600 works. See more at: time.com.
2. “Rosa Parks Was My Aunt. Here’s What You Don’t Know About Her” by Urana McCauley
Excerpt: Sometimes I struggle with social media because it seems there’s always somebody belittling Auntie Rosa. I recently saw someone post that my aunt wasn’t really black. Or people say that she was strategically placed on the bus in Montgomery because she was lighter skinned. It’s amazing to me that they would think that. Yes our family ancestry is part African American, part white, and part Native American. Auntie Rosa considered herself black and was treated as black. We have a lot of work to do in this country regarding colorism, but whether you’re light or dark — and this is still true today — you are black in America and you’re going to be treated accordingly. See more at: shondaland.com.
3. “‘Black Panther’ brings unexpected boost to makers of African inspired clothing” by Nedra Rhone and Shelia M. Poole
Excerpt: In Wakanda, the fictional African country from which Black Panther hails, the prints, colors and cuts of African clothing are woven throughout whether in an action scene, a street scene or a backdrop to other significant moments. Atlantan Carl Ulysses Bowen was one of tailors on the “Black Panther” film. Ulysses , who owns a tailoring and custom clothing business in Buckhead, said he added some of his own touches to the clothes designed by Ruth Carter. “I drew my inspiration from African culture and different African tribes within that culture,” said Bowen, who graduated from Morehouse College in 2005. He perused videos and looked at African history and photography books. He also scoured the internet. See more at: myajc.com.
4. “Ayesha Curry Is Pregnant, Expecting Third Child With Stephen Curry” by Emily Longeretta
Excerpt: The couple are already the proud parents to daughters Riley, 6, and Ryan, 3. The CoverGirl spokesperson met Curry, 29, when they were 14 and 15, attending the same church youth group. The went on to marry in 2011. See more at: usmagazine.com.
5. “Stephanie Paul stays true to Haitian heritage” by Yash Bhika
Excerpt: In Bayshore Drive in Naples, Florida, lies the Naples New Haitian Church of the Nazarene. The church is owned by Paul’s dad, Renauld. This is where she spent a good portion of her childhood. Paul would learn how to sing gospel songs, which she still sings to this day. Just as she was able to express herself inside her church, she also had the love and support of her family. It is in Naples where she grew up as the youngest of nine siblings. Her siblings are Lo, John, Jean, Matt, Josie, Nephtalie, Da-anna, Eunice and Dann. There is a 25-year age gap from Paul’s oldest sibling, Lo, to her. All of her siblings participated in sports either at the collegiate or the high school level. They all played basketball and Paul was able to learn from them. Despite such a large discrepancy in ages between the children, the love for each other was always there. See more at: redandblack.com.
6. “‘We Mean Business or No Washing’: The Atlanta Washerwomen Strike of 1881” by Brandon Weber
Excerpt: In the 1880s, twenty years after the “official” end of slavery in the United States, African Americans continued to suffer extreme oppression and violence. Lynchings were common and “separate but equal” Jim Crow laws gave African Americans minimal access to schools, the military, and labor unions—the kinds of institutions that helped other Americans move toward prosperity. It was in this context that a group of African American washerwomen in Atlanta organized themselves to demand better wages and working conditions. “The Washing Society,” as they called themselves, struck in the summer of 1881, taking on the business and political establishment of Atlanta, Georgia. The action served to remind the city’s white majority whom they depended on for the clothes they wore. The strike—a group of black women organizing against omnipresent discrimination to demand recognition and respect for their work—stands out in union history as a most unlikely success. See more at: progressive.org.
7. “Lillian Thomas Fox was a journalist and champion for her race” by Dawn Mitchell
Excerpt: History refers to Lillian Thomas Fox as a journalist and club woman, which seems to be a slight on a woman so far ahead of her time. As a black woman at the end of the 19th century, she became a champion for public health for the Indianapolis black community.Fox was born in 1854 in Chicago to Rev. Byrd Parker, an AME minister, and Janet J. Johnson, a schoolteacher. Fox’s father died in 1860, and her mother married Robert E. Thomas. The family moved to Wisconsin. Lillian took his last name. See more at: indystar.com.
8. “4 ways that black Catholic sisters rewrote the American story” by Diane Batts Morrow
Excerpt: As we observe Black History Month in 2018, examining the early history of the Oblate Sisters of Providence can teach us several important lessons. The sisters proved exceptional in 19th-century America: They were black and free in a slave society that privileged only whiteness; female in a male dominated society; Roman Catholic in a Protestant society; and pursuing religious vocations in a society doubting the virtue of all black women. Organized in Baltimore in 1828, this pioneering black sisterhood dedicated themselves to educating black girls. The Oblate Sisters confronted many challenges in their early years. Most white people did not believe that black people could lead virtuous lives and rejected as impossible the idea of a black Catholic sisterhood. See more at: catholicphilly.com.
9. “Doing a New Thing – A 21st Century Vision for AME HBCUs” by Tiffany Brockington
Excerpt: Arguably, the two most important black spaces in America are HBCUs and the Black Church. The importance and connection of both is outlined in the new documentary, “Tell Them We Are Rising: The Story of Historically Black Colleges and Universities.” The title of this documentary is attributed Richard Wright Sr., and serves as a directive which influenced not just the arc of the film, but several historically black campuses. See more at: hbcudigest.com.
10. “A Harlem Woman With A Wardrobe Worthy Of A Deeper Look” by Channing Hargrove
Excerpt: On Friday, Turner’s wardrobe went on display once again, this time at the Projects+ Gallery in Saint Louis, Missouri. Open now through March 31, the exhibit features a series of black and white photographs of Turner’s pieces by Dario Calmese, which explore the role of Black churches “as activators not only for imagination but as crucibles for the construction of self” within the African American community. Calmese, whose father was a pastor, has a personal connection to to Turner’s story. “Growing up in the church, the ritual of getting dressed for Sunday morning is a heavy thread in the fabric of my childhood memories,”he told Vogue. Through the photos, it’s evident that Turner has a similar collection with clothing. See more at: refinery29.com.
If you know of any black Christian women bloggers and or writers, please e-mail me at firstname.lastname@example.org as I’m always interested in expanding my community of black Christian women blogs and websites. As I noted before, while this is a roundup of interesting blog posts and or magazine and newspaper articles for black Christian women, you don’t have to be one to appreciate these pieces 🙂.
You can always tell when it’s election season at my small church in southwest Atlanta…When random men or women start showing up and standing up boldly during the introduction of visitors portion of the service, you know that candidates are making their rounds throughout Atlanta’s black churches, ground zero of where to garner the black vote. Because our church is small, we know who is visiting and or campaigning. But’s that okay because the doors of the church are open to everybody and all political candidates are welcome from all parties as most churches, as 501(c)(3) organizations, will not back any particular candidate for any post.
But what has never happened and will likely never happen due to our size is a political candidate having himself or himself filmed while worshiping with us and using that footage for a political ad. Last week, The Atlanta Journal-Constitutionreported that Democrat gubernatorial candidate Stacey Evans released a video on her Instagram account in which she was shown worshiping at Historic Ebenezer Baptist Church during the Annual Martin Luther King Jr. Ecumenical Service held on the national holiday. With a bluesy harmonica version of “Life Every Voice and Sing” the black American national anthem, as the soundtrack, Evans was shown walking in the sanctuary with the door being held for her, speaking with people in the pews, with her eyes closed and head bowed down in prayer, clapping, etc. Ebenezer’s pastor Dr. Warnock was shown in the pulpit area, the “Songbird of the South” Dottie Peoples sang in a shot. And then the crescendo of the ad is when her visage fades as Dr. King’s likeness comes into full focus…The words “Bringing Hope Back to Georgians” is the final message. Don’t believe me? See the political ad for yourself below…
Even with permission, this ad would have not been the move…Oh, so you comparing yourself to Dr. Martin the Luther the King Jr. in Atlanta? Oh, so you orchestrated a civil rights movement that is responsible for many if not most of black America’s civil rights? Oh, so you won a Nobel Peace Prize? Oh, so you are on a par with a martyr?
I mean that is the implication by the end of the ad even if that was not the intent. While we may have our first black princess across the pond in Meghan Markle in a few months, as comedian Rickey Smiley recently said on The Wendy Williams Show, there are three families who have achieved royalty in the black American community – the Kings, the Jacksons and now the Obamas. You would do well to steer clear of any of them in black America if you’re trying to get black votes…
But the clincher of this spectacle is that the Evans campaign did not get permission of Historic Ebenezer Baptist Church for filming this ad. Where dey do dat at? Don’t believe me? See the official statement for yourself below….
The black church is the ultimate in sacred spaces in the black community and to parlay that experience for political capital is already a tricky thing…When political candidates show up at my church, we already know that they are not necessarily there to worship and may not even believe what we believe and we not even see them again until the election season, but we welcome them anyway because we do want to get a sense of who may be running the community in which our church is located. But this ad has gone too far. Turn to your right and turn to your left and say, “Neighbor, don’t use me in your political ad without permission.” Smh…And Ms. Evans may be a great governor but if she keeps on like this, she likely won’t get there…
If you came of age in the ’90s, you know it was the golden age of black cinema…Let me hit you with just a few — “House Party” (1990) “Boyz in the Hood” (1991), “New Jack City” (1991), “Juice” (1992), “Menace to Society” (1993),”Jason’s Lyric” (1993) “Friday” (1995), “Above the Rim” (1995), “Waiting to Exhale” (1995), “Love Jones” (1997) and “The Best Man” in 1999…One of those films “Love Jones” is being celebrated for reaching its 2oth anniversary as of this March with much fanfare, and I’m here for it, particularly as one of my Delta Sigma Theta sorority sisters, who also pledged the sorority at the University of Georgia, co-starred in the film! The movie captured a time period in my life just after college when I fancied myself a budding poet (the great poet Nikki Giovanni, also a Delta, even critiqued one of my poems!) and traveled to poetry readings around town with friends. So when I discovered that Bernadette Clarke now Bernadette Speakes, on top of acting in one of my favorite movies of all time and being a Delta, is also a Christian, I knew I had to interview here on After the Altar Call about her journey, particularly as it is the 20th anniversary of the release of “Love Jones.”
Below is my interview with her (which I edited for for the sake of brevity):
1.You were born in New York, raised in Chicago and received a bachelor’s degree in Theater from the University of Georgia in Athens. How did you get from Athens to being cast as Sheila Downes in what has become a classic film “Love Jones?”
After I graduated, I moved back to Chicago, and I began pursuing my career. I ended up meeting Ted (writer and director of ‘Love Jones’) during a master’s thesis film we were doing for someone. He was doing sound. I was one of the actors on the film. And that’s how we first met. And it was very interesting because everybody that was on that shoot, especially one gentleman in particular, kept bragging and kind of boasting about all of these projects and things he had coming up. And Ted really didn’t say anything, he was just kind of joking around and just kind of laid back. We got along really, really well. Next thing I know, like, I think it was less than a year later, I get called on an audition for a film. I walk into the audition room, and it’s Ted. And he’s like, ‘Hey, what’s up?’ And I said, ‘Oh my gosh, is this yours?’ He goes, ‘Yeah.’ And I said, ‘Did you have this in the works when we were working together?’ He said, ‘Yeah, it was kind of coming together, but I didn’t want to say anything.’ And that’s how I got cast.
On what set Bernadette apart from other actresses auditioning for the role…
I think Ted could answer that question better than I can, but I will say this about my last audition. I don’t know if you remember in the movie, I do this African dance. So when he wrote that, it was kind of like everybody had been drinking. My character who hadn’t been written yet does this thing, and it’s really simple. And when I auditioned, my agent said you need to come in there with an African dance. And I was like, ‘What?’ And that was my 4th call back. And I said, ‘Is that it? Is that all I have to do?’ And she was like, ‘Yes, they want to see a two-minute African dance.’ I said, ‘Okay.’
God puts things in divine order. I was already dancing with a West African troupe, and I went to one of my friends. We choreographed a routine. I walked into that audition very raw I would say because a very close friend of mine, I didn’t know if he was going to live or die that day because he had AIDS. So I wasn’t even going to go to this audition when I would found out that that he may not make it. I had said I’m not going. And my agent was really mad because I said I was going to visit my friend instead. Well, he found out that I wasn’t going to go to the audition. So he called me, and he swore up and down, he promised me that he would hold on and he said I needed to go do this. He told me he wouldn’t see if I didn’t go do it. So I called my agent and said I was going to go, but I went in there raw. And I guess I put all of that energy into the routine. I went in there with no shoes on, no make up on, these African pants and a leotard. I did my thing, and I was ready to bounce.
And Ted was like, ‘Wait, wait, wait.’ I said, ‘Oh, I’m sorry. What’s up?’ He said, ‘I actually wrote something for you that I want you to read on camera.’ I was like, ‘Really? I have no makeup on.’ He said, ‘Naw, it’s all good. I just want to hear how you do it.’ I said, ‘Do you have a note that you want to give me before I read it?’ because it was a cold read. And he said, ‘Yeah. You know those girls who go to Whitney Young? You’re one of those girls.’ And that’s a note that only you being from Chicago (where the film was shot) would understand. Whitney Young (former First Lady Michelle Obama is a graduate) is a predominantly black high school, and it’s like a prep high school. It’s kind of bougie. And my sister went to Whitney Young so I totally knew what he meant when he gave me that note. So that is exactly what I did, and he said, ‘That’s it.’ And when I was finished, I said, ‘Gotta go. Peace out.’
And I think just being authentic and real in that moment is what got me the role. Not to say no one else was, but that is who Sheila is. She is very authentic and real, calls it like she sees it, very loyal to her friends, not fake. So I think the way that whole day kind of evolved brought all of that into place. I ended up being a co-star in the film which was huge for my first film!
2.Twenty years ago, “Love Jones” debuted on March 14. Did you have any idea that it would be a hit movie that continues to resonate with audiences even today?
No, I didn’t. I don’t know if any of us did. We knew we were doing something unique because nothing had been done in regards to the Chicago scene, the poetry scene or anything like that up until that point. And also, nothing had been done in a real positive, eclectic way of looking at African-American life in this type of setting so we all kind of knew that, but we didn’t know that it would burst. The irony is that it didn’t do well financially. It didn’t cost a lot to make, but it wasn’t in the theaters for a really long time. But it became this pop culture film, and once it went to video and television and online streaming and all of that stuff, it started to reach the masses in different geographical settings. My daughter, she is a millennial, and all of her friends know about the movie. People in my parents’ age group, they know about the movie so it became this really iconic film. And we had no idea that is what we were doing.
And for me, it wasn’t just about the movie. It was about the soundtrack too. Even today, you can listen to the soundtrack, and it’s still good.
And I really credit all of that to Ted. Ted is an amazing visionary artist. He’s a photographer. He’s a connoisseur of music, jazz, classical, R&B, blues. Like he loves it all. And he put all of that in the film.
3.I read that last month the Academy of Motion Picture Arts and Sciences hosted the event “In the Mood for ‘Love Jones’ – The Academy Celebrates the Film’s 20th Anniversary,” which included a screening of the film at the Samuel Goldwyn Theater in Beverly Hills. What was it like to reunite with the entire cast, and was this your first time reuniting with everyone since the movie debuted?
No, in February, we all saw each other at the ABFF (American Black Film Festival) Awards which was awesome! It was amazing to see all of us older. When we first did the film, none of us were married. Well, actually, Isaiah was married, and I was the only one who had a child. And we were all like in our early 20s. So when we see each other 20 years later, we’re all married. We all have kids. We’re older, wise, a lot more debonair. (laughter) And then it was really great to see each other again (at the academy event). And everyone is doing well in their lives. I had seen Bill Bellamy and Nia in passing at different events, but we all didn’t keep in touch. Well, I personally didn’t. I think some of them are closer in relationships than I am with them, but it was really beautiful for all of us to be together again.
4.In addition to “Love Jones,” you were featured along side Oscar Award-Winning Actor Sidney Poitier in “To Sir with Love II.” You’ve appeared in several TV shows such as Parenthood, Monk and Boston Legal. And you have acted in several theater productions in addition to being CEO of Dreams Take a Minute Productions in Los Angeles. Have you had a strategy in advancing in your acting career or do you have a principle that has guided you as you’ve made moves in your career?
I think the main thing that I do, I think most people would say, you should focus on one thing, Represent yourself well in that one thing and then move on to the next thing. And I’m more of an eclectic person. I can’t just focus on one thing. And also, I’m a stay-at-home mom taking care of my kids. So it was like what can I do to stay creative but not jeopardize or sacrifice this time in my children’s lives. And that fueled my decision making.
I feel like the industry isn’t going anywhere. It’s always going to evolve and grow, but it’s not going anywhere. So for me, I didn’t want to miss the legacy of my family and missing moments of when my kids grow up and taking steps toward their mark in the world for the sake of my dreams. I would rather still stay productive in my career, watch them grow, get them to a point where they can jump off the cliff so to speak into their dreams and then usher in mine. I don’t regret making that decision. I know I’m not where I could have been. I have not accomplished half of what my colleagues have, and I’m so happy for and proud of them. But for me, my family is my pride and joy. I look at my kids and how they are today, and I’m so glad I put them first. And my marriage is solid. My husband and I have been together 18 years. I think marriage is hard regardless of whether you’re in the Hollywood scene or not, two people trying to live together with flaws and all. But I think definitely my husband and I have cultivated something that is amazing. We’re each other’s biggest fan.
And now we’re at a point in our lives where are our kids are going, ‘Go do you thing.’ They want to see us soar, especially me. My kids definitely realize what I’ve given up in a sense and now they’re like , ‘Go soar Mom’ and that feels so good.
5.In addition to your acting career, I also admire that you are a Christian. How and when did you find your way to Christianity? Tell me about that journey. What is it like to be a Christian in Hollywood?
It was a journey within itself. My mom’s family are Baptists, and my dad’s are Catholics so I was always around some type of faith-based environment. But it didn’t really appeal to me honestly because I saw a lot of hypocrisy so I wasn’t interested. But then when I got to college, I felt lost. And I felt like I wanted to be a better version of me, but I didn’t really know what that meant. But I chose to become a Muslim. When I went back to Chicago, there is a very large population of Muslims where I lived which was Hyde Park, so I studied with an imam under Sunni Muslims. But I still felt like my soul was crying out for something.
There’s a reputable theatre in Chicago called the Steppenwolf Theatre, and I ended up being cast in two shows that same year with that theatre company, and God put Christians in both shows. It was the first time that I saw Christians not only own their imperfections but were authentic. Like they weren’t ‘judgy’ or judgmental or religious like a Pharisee or legalistic. And they were extremely talented women in the arts whom I highly respected. And all of that kind of piqued my interest and made me think, ‘Well maybe I have this whole Christianity thing wrong.’
So these women studied the Bible with me, and I asked 50 million questions because I had a lot of bitterness in my heart. They helped me sort through a lot of it. So I fell in love with Jesus. He was this masterful storyteller, the very thing that I am, he is the epitome of. I fell in love with the Bible. It became a no brainer for me to follow Him.
On how her faith helped Bernadette to transition to Hollywood…
So I was converted in Chicago, and when I moved to California, the church that I was a part of in Chicago, had a sister church in California, and they just actually moved me here. I moved here with nothing. It was literally my child, my clothes and my car. And the ministry in California gave me a household with roommates and a community that I’ve been with for almost 22 years. My church is called Turning Point LA. We changed our name. It used to be AMS, which stands for Arts Media Sports in the Los Angeles Church of Christ.
Being a Christian in Hollywood, I feel like it’s the fire that fuels me. And not because I’m trying to go out here with fire and brimstone. I’ve always been rebellious in my nature. Like I was the first to get tattoos in my family, the first to get piercings in my family, I had a baby out of wedlock. But now I get to be rebellious in a whole different way. When you look at Hollywood, you can say there are innovators absolutely, but I want to be defiant in a different way. So it definitely fuels me where I feel like I don’t have to compromise or give up anything just because I’m a Christian. What’s mine is still going to be mine and what isn’t isn’t. And I’m not going to apologize for who I am because I’m an actor and a storyteller. It doesn’t hinder me at all.
6.I know that you had a bout with illness. How did your faith sustain you during what I’m sure was a difficult time in your life?
It was 2014, and I was diagnosed with Non-Hodgkins Lymphoma. It was cancer of my bone marrow. It was stage 4, and it was aggressive. I had a tumor in my back that cracked my vertebrae. I had been sick for six months before I found out that I even had cancer. It was a progressive cancer to say the least. And it caused excruciating pain that wasn’t helped by morphine or Percocet. And I was hallucinating with the dosages they gave me to so I didn’t want the dosages because I didn’t have a clear mind when I was using them. I had the choice to do medical marijuana which I prayed a lot about, and I chose not to do that either. It was a time when I felt like the physical pain, the emotional anguish and the spiritual suffering that Jesus went through when He went to the cross, this is an opportunity for me to experience that intimacy, even on a small scale, with Christ.
On choosing to focus on joy and gratitude during illness…
I think when you go through suffering, it can either be a burden or it can be a joy. And joy doesn’t mean happiness. Joy means I think your perspective and your gratitude. For me, I chose a joyful, grateful perspective going into it and that is what sustained me. I was sick for just over a year. When you have Non-Hodgkins lymphoma, there is only one combination that is curable. The combination that I had which is stage 4 aggressive was a curable combination for the type of chemo prescribed for me. I’m in remission now. I’m technically not cured until the 3 to 5 year mark.
The women who created these skincare products are amazing women. They are very smart. They are doctors. They are graduates of Stanford. They teach at Stanford. They are moms. They are wives. They came up with a product called Proactiv. I used Proactiv, and I liked the results. My daughter used it and liked the results. Their customer service was awesome. I always felt taken care of. So I had respect for these women long before I became a consultant. But what pushed me over the edge is I was looking for something. I’m 50. Black does not crack, but we do sag. So I’m like I’m not going to do the whole Botox thing so I did some research onRodan+Fields. It’s a part time opportunity, and the stream of income allows me to have freedom. The products are not cheap, but the average woman can purchase them.
Is there anything else you want to add?
I’m not done yet. I may have not been on the scene for a while, but trust me when I tell you, I’m not done yet.
Bernadette Speakes recently completed two films, and is about to step into another in mid-February. She has been adventurous on stage in 2014, stepping into her first COMEDY…Elephant Theatre’s West Coast Premiere of “North Plan,” directed by David Fofi. During the 2013 Fringe Festival, she portrayed Tituba, in “The Crucible.” She received a Bachelor of Arts degree in Theatre from the University of Georgia; and presently continues to hone her craft at various acting studios around the Los Angeles area.
Bernadette was a part of the Producing Queens of The Trunk Show… which brings its own uniqueness in the world of storytelling. She is also the creator and producer of “Get Up Stand Up…Clean Comedy 4 A Change,” a comedy showcase that bridges the gap of laughter and charity together. Bernadette has also appeared in several acclaimed shows, such as The Elephant Theater’s “In Arabia We’d Be Kings,” and The Fountain Theater’s West Coast Production of Direct from Death Row…”The Scottsboro Boys.” She’s performed at the Steppenwolf Theater, Goodman, Washington D.C.’s Kennedy Center, and the Matrix’s LA Premier of An Evening with Shakespeare featuring Charles S. Dutton.
Awards include an Emmy Nomination for “A Stage of Our Own,” with James Earl Jones, The LA Drama Critic’s Circle, and the LA Weekly. Other Film & TV Credits include…”The Soloist,” “Heroes,” “Parenthood,”” To Sir with Love II” with Mr. Sidney Poitier, and the 1997 Sundance Festival Winner, “Love Jones,” which was honored this year, the 20th anniversary of its release, at the 2017 ABFF AWARDS for its contribution as a cinematic classic in African-American films!
Bernadette is also a Rodan + Fields sales consultant. For more information, please click HERE.