The End of Mary Mary : Mary Mary Season 4, Episode 6 Recap…

marymary

Hello World,

It’s that time of the week again – time for your Mary Mary recap so buckle up and get on my ride 🙂 …I’m not gon lie…This episode made a little sad…It looks like Mary Mary, as we know it, is ovuh or about to be…Last week’s episode ended as Tina got on stage at Shiloh Baptist Church in Harlem on behalf of her sister Erica who was struggling backstage as she was tired and wo down…

This week’s episode’s picks up at Shiloh Baptist Church after Tina gets on stage…

Testimony Aborted…

Although Erica was supposed to be recovering backstage, she was getting worked up listening to Tina share her testimony again for the members of Shiloh Baptist…But before Tina could get too far down the long and winding road of her testimony, Erica walks back on stage while singing basically to shut her sister down mid-testimony…It works, and Mary Mary saaangs, “I cried my last tear yesterdaaaay” to the appreciative applause of the audience…Whew, that was a close call #NoMoreTestimoniesTina…LOL…

Warryn’s Wrath…

After the performance, Erica checks in with her husband Warryn, who is still steaming that Mary Mary booked a show at B.B. King Blues Club & Grill in New York instead of Erica. He reiterates the fact that he spent $40,000 to promote Erica’s solo career in New York so that she could come back and perform at the popular New York venue and get all of the dough instead of Mary Mary. And now he is even more mad because the Mary Mary show at B.B. King’s didn’t even sell out even Erica though tells him the venue was “packed.” Warryn replies, “Packed and sold out are two different things.” Touch your neighbor and say, “Ouch. That hurt.” He concludes that basically something needs to be did about Mary Mary i.e. Tina because both the Mary Mary and Erica brands are being damaged at this point. Plus, Warryn also warns his wife that she needs to “slow down before it all comes crashing down.”

Mary Mary Meet…

After Warryn got on Erica again for the B.B. King performance, Erica decides she needs to meet with her sister and tell her what’s up. So they meet at a restaurant. Basically, Erica doesn’t believe that Tina’s management skills are up to par and blames her for Mary Mary being booked at B.B. King’s even though Erica was the one that booked the date with the agent. But Tina wasn’t trying to hear it. “Mary Mary didn’t take a gig from Erica Campbell. You booked the date.” Tina had a good point. Erica was technically the one to book the date although she only did that because Tina blew the agent off when he called her first. All Erica could say was, “I didn’t know it was such a big deal until after the fact.” Really, both of them are to blame. If Tina wouldn’t have blown off the agent, he wouldn’t have called Erica. And Erica shouldn’t have booked the date without thinking about the ramifications first.

mary mary and fatherLibrary of Congress Induction…

Not only are Mary Mary gospel superstars, their music was inducted in Library of Congress in this episode! And although Erica is pursuing her solo career, she couldn’t help but be happy for Mary Mary. “What would Daddy be like right now?” (Their father Eddie A. Atkins Jr. died in 2013.) And Tina feels the same. “Why wasn’t Mom here?” Then Tina actually admits that had she planned appropriately, she would have made sure their mother was there to witness such a momentous occasion in their career. The Library of Congress has almost 22 million items in it and now Mary Mary are among that number!!! But just when Tina is starting to realize that maybe her management skills aren’t what they should be, she makes another HUGE mistake….This time, she tells members of the press at the induction that Mary Mary is working on an album that will drop in 2016…The only problem is that Mary Mary aine even working on an album…You must know that Warryn is going to wreck something or someone over that statement…Stay tuned…I got more…

Tina’s Trippin’…

So although the Library of Congress induction started off as a lovey dovey Mary Mary moment, it set the stage for what came next…Tina booked a Mary Mary gig at The Howard Theatre in D.C. and the sound was jacked…As a manager, this is one of the issues that Tina is supposed to handle but doesn’t…And then after the performance is over, both Tina & Erica are looking forward to leaving our nation’s capital and head back to their families…But slow your roll…They are informed that Mary Mary is supposed to perform at an NAACP’s Concert For a Cause, a concert to support the NAACP’s literacy initiative “NAACP Reads” …but get this… Erica is the only one that signed the contract so technically only Erica has to show up…So Erica begs her sister to perform for her because she is tired…I mean she did almost fall out at the Shiloh Baptist Church performance…But Tina has no sympathy this time. “Sissy Sis ain’t gon help you today. I’m going to see my kids.” Erica calls her a “selfish dog.” And Tina replies, “You don’t sound very gospel and very Christianly.” There Tina goes again, making up words! But at least she aine testifyin’ no more…LOL…

This Woman’s Work….

Erica being the workaholic that she is and the professional artist that she is goes ahead with the NAACP concert while her sister chucks the deuces and rides (flies) out back to L.A. But every decision, good or bad, has its consequences. When she has free a moment, she calls her daughter Krista to speak with her. Krista sounds like she is about to cry and Erica asks her why she is upset. Krista says, “Because you’re always gone.” That’s modern day woman’s work for you – trying to juggle a thriving career and being a wife and mother…Something is bound to fall to the ground at some point…Warryn already told Erica she is doing too much so hopefully Krista’s words will help her slow down…

@imericacampbell is a Life Member of the NAACP. Join us today. #IamNAACP #NAACPReads

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L.A. Showdown…

Since Erica wasn’t able to get Tina to realize that her management skills aren’t the best, Warryn decides that he should meet with his sister-in-law and get her straight…First of all, he gets on her about saying that Mary Mary has an album coming in 2016 at the Library of Congress induction…But Tina being Tina just shrugs his words off saying that all that she has to do is “unsay” what she said and everything will be alright…”Unsay” is not a word, Tina, and there is a reason for that…Once you’ve said something, there is no way to “unsay” it. You can apologize, but the words have still been said. Warryn says, “I need for you to understand that how much weight your words carry.” Uh duh…there is power of life and death in the tongue…He is upset because not only has Tina misled the press, now Sony is going to start pressuring him about a Mary Mary album. But at the end of the meeting, Tina remains unbossed and unbothered…But even though Warryn wasn’t able to wield his influence over Tina, he is finally starting to get through to his wife. Erica is starting to get that she cannot give 100 percent to her solo career and 100 percent to Mary Mary. Warryn says, “Keep doing what you’re doing and you’re going to shorten your career by 10 years.” Also, he called Mary Mary “a plane without a pilot.”

So Team Erica looks like it’s winning in this episode and Team Mary Mary has lost one…

Any thoughts?

 

 

 

Is Tina Testifying Too Much? : Mary Mary Season 4, Episode 5 Recap…

marymary
Hello World,

I’m back for my second recap of Mary Mary’s reality show and this episode had more drama than last week’s episode…I don’t know if that’s good or bad, but let me not get ahead of myself…

Last week’s episode ended with Erica deciding to go back to Mary Mary after Tina begged her sister to reunite the gospel duo although Erica’s husband Warryn was hot about her decision…

Meet Tina Campbell, Mary Mary’s manager?

This week’s episode starts in Norfolk, Virginia as the Marys are slated to perform at the Richmond Jazz Festival…As Erica feared in last week’s episode, Tina is already late in getting ready for their performance although Tina claims she has changed since she went through hell and back last year and survived…Despite Tina being late, though, the duo performs their hits such as “Heaven” and “Shackles (Praise You)” without any issues. “The hiatus is over, and the Marys are back,” Tina says to camera after their performance.

In the next scene, Tina is back at home in L.A. with her daughter Laiah who is showing her mother her cheer. A little stiff in her movements, Tina says, “I want you to cheer like you’re from where Mommy is from not the suburbs.” (This is would be a good scene for “Black-ish.”) While her daughter is trying to “put something on it” as Tina suggests, a booking agent calls to ask Tina (because she is supposed to be managing the group, right?) about booking a performance at B.B. King Blues Club & Grill in New York, but she blows him off to put her family time first. Since Tina didn’t respond to him, he calls Erica who manages to converse with him and agrees to the performance although her son is drumming in the background like he is on stage and she is cooking with her daughter in the kitchen. When Warryn finds out that Erica scheduled Mary Mary to perform at B.B. King, he blows up. “You have no idea of the implications of what you just did.” Apparently, he spent $40,000 on promotion in that market so that Erica would be able to perform there and other venues in NYC and now that lucrative opportunity will be split among two instead of given to one…Erica wonders why she is the one planning dates for Mary Mary when Tina is the manager…

Sister to Sister Drama…

Mary Mary head to NYC for their performance and while they are there, they are scheduled to be interviewed by Jamie Foster Brown, publisher of Sister 2 Sister magazine which is a mashup of People magazine/TMZ for the black community. But before she arrives at their hotel room, Goo and Erica are tripping because it was reported on the magazine’s website that Teddy, Tina’s husband, may have fathered a child when he was out and about and Tina doesn’t know about the rumor…They tell Tina what was reported before Jamie arrives, but Tina doesn’t back away from Jamie when Jamie straight ups asks her about the rumor…She said it was false information and says, “That’s why I told my truth in the beginning.” Erica is cringing throughout the whole interview because Tina held back nothing…  “Tell some, save some, sister” Erica says to the camera…I agree with Tina’s approach…Say it before somebody else says it..

Showing Her Scars aka Tina’s Testimony Part Deux…


You would think that shutting down an outside child rumor would be enough marriage drama for one episode since Tina and Teddy have put the past behind them, but Tina wants to share her testimony again and tell even more than she did the first time…This time Tina gets interviewed by Shaila Scott of 107.5 WBLS in New York…Wearing a t-shirt that states ” I Show My Scars So That Others Know They Can Heal,” designed by one of my blogger boos Rhachelle Nicol, Tina shares again how her husband had a “lot of affairs over a lot of years.” She shares how sometimes she would be under the covers screaming her sister’s song “Help” and how she felt like killing somebody. But she wraps it up by saying her life is completely better a year later and that she is no longer “trapped in a prison of brokeness.”

The Shark Tank…

Also while in NYC, Tina meets with Daymond John, CEO of FUBU and one of the sharks on ABC’s show “The Shark Tank.” He is helping Tina define her brand. When he asks her to define her brand in a few words, she states, “A test that became a testimony.” Ehhh….I’m not a branding expert, but that phrase has been used by so many Christians I don’t know if that phrase is unique enough to set her apart. But Daymond loves it and pledges to help her brand take off…So what I do know?

Remember Erica Campbell, the solo artist?

Seeing that Mary Mary ‘s show at B.B. King’s was sold out, Erica is feeling some type of way about sharing the spotlight with her sister at the venue. She pledges to show out and not waste her husband’s money since she plans to perform as a solo artist at Shiloh Baptist Church in Harlem…The only problem is that she’s tired after performing as Mary Mary…In fact, she’s so tired she is unable to make the sound check before the performance…When Tina comes to Erica’s room to check on her, she criticizes her sister for saying yes to everything and suggests that she manage her sister…Erra, Tina, you were the one that got your sister to come back to Mary Mary and add more to her schedule…Erica obviously agrees with me because she says to the camera, “You want to manage Erica Campbell, but you can’t manage Mary, Mary.”

Although the show starts off well with Erica singing “A Little More Jesus,” Erica needed a lot more Jesus because she almost fell out on stage. In fact, Tina, who was just chilling in the audience in a baseball cap, t-shirt and jeans, had to get on stage while her sister was resting backstage. And wouldn’t you know it? Before Tina starts singing, she shares her testimony yet again. She says,  “It was the most challenging time of my life” and that she was mad at God. Meanwhile backstage, Erica is getting mad at her sister for sharing her testimony yet again…Will Mary Mary stay reunited? You know what to do…Watch next week and read my recap…

I Luh God and other Mary Mary news…

I don’t know if Mary Mary will stay reunited by the end of this season’s Mary Mary, but we do know that Erica Campbell is still on her solo grind…Earlier this week, Erica released her new single “I Luh God” on her reissued album “Help 2.0.”…I had to pause and gather my thoughts about this new song…Do I want to bless it or bash it? First of all, “luh” is love in Ebonics I guess…And folks are calling the song trap gospel…I thought folks listened to gospel so they could get out of the trap — not jam in the trap…

The song starts off with “I luh God, You don’t luh God, What’s Wrong Wit U?” Just typing that made my brain hurt…It don’t seem right to go from “How Great Thou Art” to “I Luh God.” The thing is Mary Mary is known for making gospel songs bump…Erebody loves “Shackles (Praise You)” and “God In Me.” They’ve got catchy beats and they are appropriately “crunk for Christ.” But this song right here confounds me almost as much as Beyoncé did when she sang “Precious Lord” at the GRAMMYs. After Erica’s initial verse, some rapper comes in sounding like a male version of  Baby D of JJ Fad (remember summa lumma dumma or whatever Baby D said…) speaking in tongues…I think he says, “I lub Him, I lub Him, I lub Him” faster and faster before he stops…

Plus, I always find myself in a conundrum when I hear gospel songs that have “wordly” beats…What am I supposed to do? Am I supposed to sing along?… I guess that could work but gospel songs that are too crossover end up sounding corny to me and I can’t participate…And please don’t ask me to dance…When I hear certain beats, I involuntarily arch my back to drop it low…(Hey, no one starts off saved…) but you can’t drop it low to a song about God…Even Erica looks confused while she is singing the song… She wants to dance, but how far can she go…So she settles for doing a half Bankhead Bounce…

I’m still a Mary Mary/Erica & Tina fan, but this ain’t the song that will take me to the altar or turn me up in the club…

On the other hand, I loved her song “Help” and apparently her solo album won her the Artist of the Year Award at the Stellar Awards. And she won other awards as well. The Stellar Awards will be televised on Easter Sunday. Check your local listings and the TheStellarAwards.com for air times.

Any thoughts?

 

 

Atlanta’s First Black First Lady Pens New Church for Churches…

Hello World, ms. bunnie jackson ransom

I wanted to end Women’s History Month by devoting today’s blog entry to an important woman in Atlanta history. That woman is Ms. Bunnie Jackson-Ransom, president and CEO of firstClass, Inc., a full-service public relations and marketing firm she founded in 1975. Her clients lengthy list of clients have included but are definitely not limited to: The National Conference of Black Mayors, Burger King Corporation, the Trumpet Awards,  The King Center, American Traffic Solutions, Jackmont Hospitality, Inc. and Edmond, Lindsay & Hoffler, LLC.

Ms. Jackson-Ransom has enjoyed a multifaceted career. While serving as president and owner of firstClass, she responded to a request to manage the careers of several performing artists; and from 1978 through 1988, she was the chief administrative officer of a conglomerate company under the umbrella of Atlanta Artists.   She began her career in the music industry after she had already distinguished herself as a business woman in the areas of education, government and public relations.  As president of Atlanta Artists Management, she was also responsible for the daily activities of Atlanta Artist Productions and Atlanta Artists Records, and managed the recording career of acts such as CAMEO and Larry Blackmon and The SOS Band.

Ms. Jackson-Ransom is a member of the National Council of Negro Women; Atlanta Association of Black Journalists; the Atlanta Branch of the NAACP; The Links, Inc.; the Metropolitan Atlanta Coalition of 100 Black Women.  She is also an active member of Delta Sigma Theta Sorority where she served as past local chapter president and past chairman of the National Projects Committee. In the early 1970’s she served the City of Atlanta as its first black “First Lady” during her marriage to the late Mayor Maynard Jackson before they divorced in 1976. She is the proud mother of three daughters and one son. More recently, she is the grandmother of five. She is an active member of Cascade United Methodist Church. To read her complete biography, please go to her Ms. Jackson-Ransom’s website.

second editionMs. Jackson-Ransom is also the author of Getting The Word Out: How To Market Your Ministry: Communication Tools & Tactics You Need For Evangelism, which was originally published in 2010 but recently revised. Her book is the reason that I wanted to feature her on this blog.

 1. Why did you write Getting the Word Out?

I wrote this book because I had been doing public relations for churches for a long time. It started with a project that I did for Apostle Collette Gumby and a church called Green Pastures. She was doing a play called “King of Glory,” and I got excited about the play. I was working for Burger King. Burger King was a client, and my job was community affairs for Burger King. So I presented the project to Burger King. They liked it, and they became a sponsor for the church’s play. As a result of my working with Rev. Gumby, I found myself doing things for the church, press releases about the church, getting interviews for the church about the play and so forth and put that in my bucket of things I had done so to speak.

So when I joined Cascade United Methodist Church, the pastor there was Rev. Walter Kimbrough. He put me to work on doing some things for him like handling the project for his retirement and before the retirement, his anniversary. And I kept on doing work for my church. There was a need for someone to do the things that I was doing for the church. I finally said to Rev. Kimbrough, ‘I’m treating you like a client. You have a spot in my computer. You have a folder in my files. How about considering retaining my services?’ And he did. So I worked for the church for at least five or six years before he retired.

What I discovered was that I had a plan in my head for handling marketing for churches. It wasn’t that much different from the way one goes about handling marketing for any other organization or corporation. You have a product. The product has to be pushed out into the marketplace for use. And so I said this is a book.

2. Why is getting the word out important for churches?

If nobody knows that you are there, nobody will come. God is a master marketer. The reason I say that is because of Matthew 2:2. We saw a star in the east and have come to worship Him. That star is a billboard that God put in the sky. If the wise men hadn’t seen it, they would not have come to worship the baby Jesus. God has been marketing Christianity, and Jesus was a marketing person. He rode in cities with palms. That is like a parade.

And look at Romans 10: 14 . How then shall they call on Him in whom they have not believed? And how shall they believe in Him of whom they have not heard? And how shall they hear without a preacher? This verse says to me, How can they do any of that if you don’t get the word out and compel them to come into God’s house. When you drive up and down Cascade Road, there are at least seven churches within a mile. What makes me go to church A and rather than church B? It’s marketing. It’s how you get the word out about your church.

3. I understand that you are also available to present your book as a workshop to churches.

Yes, several pastors have invited me to their churches. Pastor William Flippin of Greater Piney Grove Baptist Church in DeKalb County bought several copies of the book and gave them to his leadership team. He brought me in to do a session on the book, and then he took it a step further, he asked me to come back and do a session on crisis communications.  I just returned from a session in Little Rock, Arkansas with Pastor Ronnie Miller-Yow. He brought me in to do a seminar before several United Methodist churches from that district. I worked with Jeffries Cross Church in Burlington, North Carolina.

I have several plans that I offer churches. With one plan I just come in and do the seminar and another one, I do the seminar and help you start your communications committee. I leave the committee with job descriptions and help them develop a media database for the area that they are in, show them how to write a press release, or I can give the church the plan and come back in six months to see what you’ve done or you call me up and say, ‘Bunnie, I’ve written a press release, can you tweak it?’

4. Why did you revise the book?

It had holes in it. Social media happened. I didn’t give that much attention to it in the first book. I just mentioned it. Now I discuss about three or four platforms that would work for the church. And then I put in a chapter in it about crisis communications.

5. It seems that many churches are having crises. How should churches handle crises?

First of all, get ready for it, because the bigger you get, the more apt you are to have some kind of crisis. Whether it spills over into the media or not, that is irrelevant. If it spills over into the media, then you really have a public crisis, but there are some crises inside the pews that no one ever knows about but the church.

First of all, appoint a crisis committee. I mention the type of people who should be on that committee. If it’s a legal crisis, then you pull in your lawyer. But let’s say it is the kind of crisis that spills over into the media, you need to have a crisis go-to person. It doesn’t have to be the senior pastor, it could be the associate pastor. If you have a communications committee, it might be the chair of that committee. That is the person who calls the crisis team together.

Let’s say one of the deacons absconded with the collection plate. How do we fix this? We start talking to the congregation about the positive things that are going on in the church. If it’s in the media, talk about the positive the church is doing and give the media something else to talk about because if you don’t give the media something, they will do their job and report the story that they know about.

6. How did you get your start in public relations? good times

When Ernie Barnes asked for my help. He was the artist that did the paintings for J.J. on “Good Times.”  Ernie and I went to school together. I was married to the mayor and people would ask me to help them do things. So Ernie wanted to penetrate the Atlanta market and sell some paintings so I asked Ernie if he would do an exhibit and connect it to my (then) husband’s campaign to show that the Mayor Jackson campaign had a sensitivity for the arts.

So I went to the High Museum and asked if they would let us do something there with Ernie Barnes and the answer was no because they already had a schedule and we couldn’t fit in the schedule. So then I could found out that I could rent the lobby of the High Museum. So Ernie and I rented the lobby and we hung his paintings in the lobby. In the lobby, you could see his paintings on the way to Symphony Hall or going to the theatre or going anywhere there. We did a catalog of his paintings, and we hired someone to sit there. Well, Ernie sold out.

I took Ernie’s paintings to the president of the Coca-Cola Company who at that time was Paul Austin and asked if he would support the project and he did. Ernie did some paintings called the ‘The Beauty of the Ghetto.’ That was the exhibit was called and we donated prints to all of the boys and girls clubs in Atlanta. And we got Ernie on the front page of the Sunday section of the newspaper with some of his paintings. I asked Ernie how much would you have paid someone to do this. He said, ‘Oh about $5,000.’ And remember this was a long time ago. I said, ‘Okay, I’m not volunteering anymore.’ And that’s how I got started. That’s how I realized what I was doing had value.

7. As Atlanta’s first black First Lady, have you ever wanted to give advice to our nation’s black First Lady Michelle Obama?

When President Obama was first elected, I used to say to myself, ‘Lord, just let me get to her.’ I’ve spoken to her, but there was such a flurry of people that I couldn’t say what I wanted to say. What I wanted to way was, ‘Hang in there. This too shall pass.’ When I was First Lady, I wanted my own thing so to speak. And I get the same feeling about Michelle. I mean she’s a lawyer so she’s got to have an ego. She’s got to have a dream of her own. And being the First Lady for me and most likely for her meant that I had to put my goals on the back burner so I want to say, ‘Hang in there, Sister. In eight years, it will be over.”

To buy a copy of Ms. Jackson-Ransom’s book, please go click on the link: Getting the Word Out: How to Market Your Ministry.

Any thoughts?